Jun 17, 2011

Guest Author: Lauren Oliver

Today's guest is Lauren Oliver, New York Times bestselling author of Before I Fall and Delirium.





* WARNING - This interview contains spoilers about Before I Fall *

LEC:  Before becoming a full time writer, you completed a Masters in Fine Arts and worked as an editorial assistant at a publishing house.  For the aspiring authors in the audience, how did these experiences contribute to your success?  If you had to choose, which one would you recommend?

LO: Getting my MFA taught me, among other things, how to listen to and accept criticism; it also taught me when to reject criticism, which is equally important. My experiences in publishing provided me an invaluable number of industry contacts, and editing taught me how to build a story structurally and mechanically. I think working in publishing was more helpful for my current career, although I loved pursuing my degree in creative writing.

LEC: Before I Fall struck me as intensely character-driven, while Delirium seemed as much about ideas as people.  Delirium is also book one in a trilogy.  Do you find that different kinds of books have different needs?  How do those differences affect your writing process?

LO: Interesting. Of course I felt that to some extent I was trying to explore different themes in my two books; but in another way, I felt as though both books were grounded in the evolution of their protagonists. In some ways, Lena and Sam actually share a very similar emotional trajectory. I think that transformation is what's most interesting to me.

LEC: In both books, there's a richness and depth to your characters that really brings them to life.  I think part of it has to do with they way Sam and Lena often compare their emotional responses to current events to incidents in their childhoods, giving the reader a genuine sense of background and existence beyond the story.  How much of your characters' biographies do you plan in advance, and how much arises as you write?

LO: Thank you! Much of it comes to me when I write. I find that getting to know a character is a little bit like getting to know a person in real life. First you see only the superficial things about them--looks, etc--and it is through the process of interacting with them, engaging with them, that you uncover their secret preferences and old stories and quirks and habits.

LEC: It seems that to be commercially successful these days, teen books have to be "high concept" - based around an idea that's inherently intriguing.  Your books definitely meet this criteria, but in my opinion are also "literary."  By which I mean they're both beautifully written, and at their core, about something - something thought- provoking and wrenching and messy.  What comes first in your writing process, plot or theme?  How do you strike the balance?

LO: I think characters usually come first. My books usually come from a desire to explore a series of questions--how do you make a mean girl? How do you unmake one? What would a world without love look like?--and from, simultaneously, the needs of a narrator who begins speaking to me, telling me her story.

LEC:  The ending of Before I Fall is powerful, poignant and inevitable.  Even so, it caught me by surprise, because I believed that Sam had earned a happy ending and wanted her to have it.  When did you know that your story demanded its tragic resolution?  Was it difficult to write, compared to an easier, more typical positive outcome?  What impact did you hope this ending would have on readers?

LO: I actually wrote the prologue and the epilogue first, before beginning the remainder of the book, so I would know who Sam was at the beginning and where she needed to end up. From the start, the ending was implicit in the structure of the story. I never considered ending it a different way, and it struck me as the most meaningful--and thus joyous--way the book could have ended.

LEC: The ending of Delirium is satisfying and complete.  Was it originally intended as a stand-alone novel?  What can you tell us about the next book in the series, Pandemonium (Feb 2012)?

LO: I was hoping it would become a trilogy but I didn't know, absolutely, that my publishers would want me to continue it as a series. And the only thing I'll tell you about Pandemonium is...read it! :) It's a very different novel, in a way, and Lena is a very different girl. I will say that the book takes place in two different time frames, which is cool.
LEC: Thanks for taking time out to hang with us today!

Jun 15, 2011

Announcing Cantastic Authorpalooza 2011!

As regular readers will know, one of my missions is to showcase the amazing work of Canadian children's book creators.  To that end, I announce Canatastic Authorpalooza!

This July, I will post interviews with 20 authors and illustrators.  Each week will have a theme - picture book, middle grade nonfiction, middle grade fiction and young adult.

Interviews will run weekdays from July 4-July 29.  Every Saturday following the interviews, I will draw winners from the commenters on that week's posts.   Prizes will include books and/or other goodies donated by the featured authors, and occasionally, by other folks who love good books (hi Deb!).

I'm still nailing down the guest list, but confirmed participants include:

  • Ruth Ohi
  • Linda Bailey
  • Sheree Fitch
  • Nicholas Oldland
  • Claire Eamer
  • Lizann Flatt
  • Joan Marie Galat
  • Arthur Slade
  • Alma Fullerton
  • Karen Spafford-Fitz
  • Tim Wynne Jones
  • Nora McClintock
  • Moira Young
  • Vicki Grant
  • Robert Paul Weston


Stay tuned for more details, and tell all your friends - it's going to be a great month!

Jun 10, 2011

Book Review: Samson's Tale

Title: Samson's Tale
Author: Carla Mooney
Illustrator: Kathleen Spale
Publisher: Story Pie Press
ISBN: 9780984217829

Book source: review copy from author 

Samson is worried about his boy.  Daniel was in the hospital, and even though he's home now, the grown-ups are acting strangely.  Daniel can't play with Samson the way he used to, or go for walks, and Samson has no idea what "chemotherapy" means.

What Samson does know is that Daniel is still Daniel - and it's a dog's job to be whatever his boy needs.

Cancer is a difficult subject for any age, but it's especially challenging to craft a children's book about a child with cancer.  How can an author explain leukemia and the effects of chemotherapy without lecturing or bogging down in details?  How can an author be honest, while still leaving room for hope?  Mooney's solution is to tell the story through the eyes of the patient's pet, and it works brilliantly.  The reader is given basic information on leukemia when Daniel talks to his dog, and shown the consequences of the disease through the changes in Samson's routine.  Filtering the story through the the dog's perspective provides poignancy while preventing the tone from becoming too frightening.

Hats off to the illustrator as well - there's a wonderful synergy between words and images here.  For example, Daniel's favorite stuffed animal is a smaller version of Samson, while Samson has a miniature boy.  I especially like the images about learning to play catch in a new way - Samson's got a car in his mouth, and Daniel holds the remote control.

It's tragic that books like this one have to exist at all, but since they do, it's lovely to find one that's about more than just the disease.  And Samson's Tale is, at bottom, a sensitive and touching portrayal of the relationship between an ordinary boy and his source of strength - his loyal dog.

Samson's Tale is available through Amazon.com and independent bookstores in the United States.   Thirty percent of the proceeds from the book go to support Flashes of Hope, an organization that raises money for pediatric cancer research.

More information on Carla Mooney and Kathleen Spale is available at their websites.

Jun 3, 2011

Book Review: Blood Red Road

Title: Blood Red Road
Series: Dustlands, Book 1
Author: Moira Young
Publisher: Random House
ISBN: 9780385671835

Book Source: review copy from publisher


I'm going to use the synopsis from the publisher and save my energy for raving:
In a wild and lawless future, where life is cheap and survival is hard, eighteen-year-old Saba lives with her father, her twin brother Lugh, her young sister Emmi and her pet crow Nero. Theirs is a hard and lonely life. The family resides in a secluded shed, their nearest neighbour living many miles away and the lake, their only source of water and main provider of food, gradually dying from the lack of rain. But Saba's father refuses to leave the place where he buried his beloved wife, Allis, nine years ago. Allis died giving birth to Emmi, and Saba has never forgiven her sister for their mother's death.

But while she despises Emmi, Saba adores her twin brother Lugh. Golden-haired and blue-eyed, loving and good, he seems the complete opposite to dark-haired Saba, who is full of anger and driven by a ruthless survival instinct. To Saba, Lugh is her light and she is his shadow, he is the day, she is the nighttime, he is beautiful, she is ugly, he is good, she is bad.

So Saba's small world is brutally torn apart when a group of armed riders arrives five days after the twin's eighteenth birthday and snatch Lugh away. Saba's rage is so wild, that she manages to drive the men away, but not before they have captured Lugh and killed their father.

And here begins Saba's epic quest to rescue Lugh, during which she is tested by trials she could not have imagined, and one that takes the reader on a breathtaking ride full of romance, physical adventure and unforgettably vivid characters, making this a truly sensational YA debut novel.


Let me tell you - sensational?  Understatement.

A common weakness of dystopians is that authors tend to fixate on a single aspect of society, which becomes the framework for the entire book.  As a consequence, many aspects of the world's functioning go unexplained, even while the story is about the world itself.  That's not the case here.  The world-building is complex and subtle and completely convincing.  Details are added as they become relevant, without confusing or overpowering the reader.  While Young never reveals how her world came to be, it's clear she's considered its inner workings in every detail.  I could practically smell the dust, and yet, the plot isn't about the world, or a character striving to bring it down.  Like Restoring Harmony (which I also love), this is a story about people that just happens to have a dystopian setting.

So let's talk about the people.

Saba is prickly and strong and conflicted and determined and a little bit scary.   Her voice may be challenging for younger readers because she's not well acquainted with grammar, but its very roughness adds to its authenticity.  The book's secondary characters are also fascinating and fully realized, and a certain dashing rogue by the name of Jack has skyrocketed to the top of my literary boyfriends list.  I tore through this book, not just because the plot was fast-moving and suspenseful (which it is), but because I desperately cared about the characters.

This book is better than The Hunger Games.  It's better than Divergent.  It's better than any dystopian novel I've ever read, written for any age.  And every time I think about it, Tina Turner starts belting out We Don't Need Another Hero in my head. 
 
Buy it.  Read it.  Tell all your friend about it.  Make this book a bestseller.  It deserves it.